thewayne: (Default)


This is a really good piece, called Ganz kleine Nachtmusik, KV648, a trio about 12 minutes long. It was discovered "...in the collection of the Leipzig Municipal Library while researchers were completing a new edition of the Köchel catalogue of Mozart’s works." This premiere performance was last year, late September or early October in Salzburg. The musicians are excellent!

The article has two embedded videos, the top-most one is a 30 second clip, the bottom one is from where I got this YouTube link.

https://www.classicfm.com/composers/mozart/new-work-leipzig-municipal-library/
thewayne: (Default)
Poor dude. He's suffering major neurological decline.

From the article: " More details about Wilson’s condition were included in a capacity declaration. It said Wilson, the writer behind dozens of Top 40 hits including “I Get Around,” “Help Me, Rhonda,” and “Good Vibrations,” would find it “emotionally very stressful” as well as physically difficult to attend any court hearings in person. “He is easily distracted” and “often makes spontaneous irrelevant or incoherent utterances,” the declaration from Dr. Stephen S. Marmer, a clinical professor of psychiatry at the UCLA School of Medicine, said.

Wilson also has a “very short attention span and while unintentionally disruptive, is frequently unable to maintain decorum appropriate to the situation,” the doctor told the court, adding that Wilson is taking a drug called Aricept to treat his dementia. The doctor said Wilson has trouble following instructions, except when he’s taking voice lessons or during physical therapy. “This is based on long-standing muscle memory,” the doctor wrote."


At least they're keeping him at home, which I'm sure is a good thing to be in familiar surroundings. Interesting that he's 'taking voice lessons', I guess that's to try to stimulate portions of his brain to try to keep them from atrophying?

I've been seeing articles about his condition and the plans for this conservatorship, I knew this was coming and pretty much inevitable.

https://www.rollingstone.com/music/music-news/brian-wilson-conservatorship-daughters-rights-1235018053/
thewayne: (Default)
So what?, many of you say.

He had a near fatal stroke eleven years ago and almost completely lost the ability to speak and sing! In that time, he's done some acoustic playing and was inducted into the CW Hall of Fame. He's not an invalid, no idea how much the stroke affected him otherwise.

Details have not been fully released, but through using AI technology, they've recreated his voice and he has a new song out.

Now obviously this brings up a host of issues. I am absolutely okay with this: Randy seems to be fully competent of mind and body, just not able to speak or sing. He has control of his music, and participated in this project to recreate his voice and get this song out. I think this is quite awesome! Not that I'm a CW fan or really care one way or another, but it's great for an artist to be able to express themselves creatively after nearly dying from a stroke and being deprived of their greatest instrument.

But you can see where this can be abused. As much as I'd love to hear new Freddie Mercury, or David Bowie, they're long gone and cannot participate in the process. No input from them. Theoretically their estate or IP managers could, and I would think that's wrong. I have the same problem with cinema recreations of James Dean or Humphrey Bogart. Digital de-aging of people, such as the ABBA Voyager holographic performance? Very interesting. And all four of them are alive to consent to it. Digital recreations of a performing Tupac? Very problematic for me.

One thing that we don't know about the Randy Travis thing which may come out eventually is who performed the vocals for the recording, which is being supposed that Randy's generated voice was then layed over.

https://www.rollingstone.com/music/music-country/randy-travis-releases-ai-song-1235014871/
thewayne: (Default)
It was taken from the back of a van and is now back in Paul's hands. It was used in the recording of the first two Beatle's albums and is still in its original case! The guitar is only slightly the worse for wear and needs a little restoration work before it'll be in playable form.

https://www.rollingstone.com/music/music-news/paul-mccartney-lost-lost-bass-found-1234969159/
thewayne: (Default)
Jethro Tull released their 23rd album earlier this year, RökFlöte. I picked it up last Friday and quite like it. Recommended if you're a Tull fan. Also, somewhat older news, Ian Anderson released a solo album in 2000 called The Secret Language of Birds. I thought that was also a quite good album. But RökFlöte is definitely full-on Tull.

Gabriel's next album, his first in just over twenty years, is titled I/O and will be released on December 1. He's been releasing individual tracks throughout the year with every full moon and remixes with every new moon. Well, now the whole shebang will be available!
thewayne: (Default)
I picked up a copy a few weeks ago and finally listened to it, and I found the vocals kind of muddy. It seemed to me that the diction of the ladies has faded a bit with time, or possibly the mix of the album just isn't quite what it should be.

While I do wear hearing aids, I have no problem hearing lyrics on albums by other artists. I was wondering if others with this album might have noticed the same thing, or not.

It has some great stuff on it, and some stuff that was, IMO, not so great. Overall, a good album.
thewayne: (Default)
The person who passed away was also a minstrel, and I was able to get a copy of his song collection and I retrofitted it to fit my band, which was useful, so I'll be playing his music, which I hope pleases his friends to hear his music one last time. I didn't know the deceased, but he had pretty good taste in music and was a good arranger.

This will be the second memorial that I've performed. Interestingly, the first one I did I gained a best friend, and she's organizing the memorial for the second group! She recommended me to them, and I'm happy to help. Fortunately my band is large enough to play this guy's songs without alteration, aside from rearranging the instrument order to fit where the instruments are in my band.

I also solicited requests for other music to play, and one song was Paralyzer. There was a lot of music where all I had was a song title, and I had to search and make inferences as to who the band was. And I usually got it right.

And I found this video. Which is pure awesomesauce! The music is good, too.

thewayne: (Default)
With Matt Stone on drums trying to fill in for Neal Pert. Yeah, pull the other one, it's got bells on it.

https://www.rollingstone.com/music/music-news/rushs-geddy-lee-alex-lifeson-reunite-south-park-25th-anniversary-1395740/

Sadly, CBS Viacom had the videos pulled, but you might be able to find them on YouTube if you search a bit.

The last paragraph is the best bit: "Lee and Lifeson have kept low profiles since Neil Peart died in 2020. They’ve been very clear that carrying on as Rush is an impossibility, but they haven’t ruled out creating music together under a different name at some point. “We’re not putting any pressure on it or anything,” Lifeson told Guitar World earlier this year. “We had a lot of good years together and we still love each other very much. I talk to Geddy every other day – we’re best friends. … There’s more to our life together than just writing music. So if it happens, it happens. And it’ll happen when it happens.”"
thewayne: (Default)
They Might Be Giants' John Flansburgh was in a serious car accident returning home from a gig. He broke SEVEN RIBS, some with multiple fractures. Fortunately this did not result in any internal organ damage, he got lucky there. Several future concert dates will have to be postponed as he recovers.

The problem here is that injured ribs are extremely painful when injured. While I've never broken them, I have a condition that flares occasionally from strained ribs that is just terrible. I can imagine what John is going to go through and wish him a speedy recovery.

https://www.rollingstone.com/music/music-news/they-might-be-giants-postpone-tour-john-flansburgh-car-accident-1365241


Depeche Mode lost a founder. Keyboardist Andy Fletcher passed away at the age of 60 from natural causes. He was a co-founder and was with the band from their founding through their latest album. In 2020, Depeche Mode was inducted into the Rock and Roll Hall of Fame. I'm glad that he got to see that honor.

The Rolling Stone article was quite nice.

https://www.rollingstone.com/music/music-news/depeche-mode-andy-fletch-fletcher-dead-1359207/


Jim Seals of the soft rock duo Seals and Crofts passed away, he was 79. The duo started out backing John Denver, and after meeting while playing for a band called the Champs, they moved to California "where they also played with or wrote songs for a wide range of artists, including the Monkees, Buck Owens, Gene Vincent and Rick Nelson."

Jim's brother Dan, was half of the duo England Dan and John Ford Coley. He passed in 2009. Jim suffered a stroke about five years ago which ended his singing and touring career. Darrell Crofts is apparently still alive.

Jim's birth year is unclear, thus his age is listed as 79 or 80.

https://www.rollingstone.com/music/music-news/jim-seals-seals-crofts-singer-behind-summer-breeze-dead-at-80-1364260/


And finally, Alec John Such, Bon Jovi’s Founding Bassist, passed at 70. He played on the first five albums. Such was there when the band was formed in 1983 and left eleven years later.

https://www.rollingstone.com/music/music-news/alec-john-such-bon-jovi-bassist-dead-obit-1363317/
thewayne: (Default)
In support of Ukraine, David Gilmour teamed up with Nick Mason to record Hey Hey Rise Up with Ukrainian rocker Andriy Khlyvnyuk, front man for the Ukrainian band Boombox (there is also an American band of the same name) who were on tour when the war broke out. He headed back to his country to defend it and released a video of him singing The Red Viburnum In The Meadow, which Gilmour's daughter-in-law, a Ukrainian, sent him. David knew Andriy from a previous concert series formed to help Belarusian artists, and contacted him to get this song done. It was recorded in Gilmour's home studio in England.

This is the first original Floyd recording since 1994's The Division Bell. Floyd's last album, The Endless River, was compiled from unused recordings from The Division Bell sessions. So this is the first original Floyd music in over 30 years.



https://www.rollingstone.com/music/music-features/pink-floyd-david-gilmour-ukraine-interview-133451

https://www.bbc.com/news/entertainment-arts-61037080
thewayne: (Default)
Not much to be said. Jerry is gone and John Mayer's been filling in for him, Bill Kreutzmann's been having increasing health problems - not Covid-related - and didn't join in for a Mexico concert series last year because of concerns for playing in the heat, bassist Phil Lesh passed entirely on this Dead And Company tour, and now it's all coming to an end.

The schedule has been announced on the band's web site, tickets went on sale this morning. The tour starts June 11 at Dodger Stadium and ends July 16 at New York's Citi Field.

And then the Do-Dah Man will get some sleep, because he won't be truckin' no more. It has certainly been a long, strange trip that has finally come to an end.

https://www.rollingstone.com/music/music-news/dead-company-final-tour-1334902/
thewayne: (Default)
Epic Games, makers of the Unreal Game engine - a very impressive property - and of the Fortnite game, a very popular game, have bought the extremely popular music site Bandcamp.

While pledges were made to keep Bandcamp independent, this isn't likely. First off, corporate talking heads lie. Second, why spend money buying a property if not to monetize it. What's the point? Epic does not have a good game store, Bandcamp's store is very efficient, popular, and they have apps for iOS and Android. That's something that Epic could really use, i.e., monetize.

But then there's all that music....

IF it stays....

The comments on Ars are universally negative. No one there likes the idea, and musicians there are hugely bummed at the announcement. The question will be whether they jump ship. There aren't many other places where they can go that are like Bandcamp. A sufficiently motivated group - if they could get the funding - could create another Bandcamp-like site, but could they keep it going long enough to build up a large enough musician base to become viable? Would they pay the content creators enough to keep them?

One thing that made Bandcamp popular with small bands is their payout vs streaming services. From the article: "Diamond [Bandcamp CEO] hints at his company's value by suggesting "$890 million" in payouts to musicians since launching in 2008. If you'd like to understand how rapidly Bandcamp has grown, consider that the company's last lifetime payout estimate, from September 2020, was $584 million. That's pretty good growth—especially for a service that favors à la carte full-priced album purchases, as opposed to cheaper, buffet-style music subscription services.

Though many digital download storefronts cull as much as 30 percent of sales, Bandcamp famously demands less: a default 15 percent figure for digital media sales, which drops to 10 percent after an artist exceeds $5,000 in annual revenue. And Bandcamp insists it will continue running its "Bandcamp Fridays" promotions, which skip Bandcamp's cut of digital sales on the first Friday of every month (though the company still takes fees on those days from sales of physical items like CDs, records, cassettes, and shirts).


You can listen to tracks, pay what you want for individual tracks, download as MP3 or as lossless FLACs. You can find some really esoteric stuff there. I've used it as a source for background music before and have spent some bucks there. Right now I have it open to listen to an Arizona Renaissance Festival hurdy gurdy band that I'm not going to get to see perform live.

Nothing will change immediately, but I will be surprised if in 3-4 years there isn't a diminishment of what Bandcamp is now.

https://arstechnica.com/gaming/2022/03/epic-games-begins-to-show-its-more-than-games-acquires-bandcamp
thewayne: (Default)
Things are heating up for streaming service Spotify. Last week, Neil Young asked that his label, Columbia, pull his music from their platform. Young says that it is quite a financial hit as Spotify represents 60% of his streaming income, at the same time he says that Spotify is also the lowest resolution of his streaming music, something that he cares about: a few years ago Young tried to launch his own compression codec which was an amazing failure. Neil said that he doesn't mind his songs being off Spotify as his music sounds better everywhere else.

Apple took advantage of it by launching a playlist on Apple Music's streaming service.

Young actually first gave Spotify an ultimatum: you can have Young or Rogan: not both. They chose Rogan. Well, they had good reason: Spotify paid $100,000,000 for the exclusive rights to Rogan's podcast and back catalog, and apparently don't really care if he spews misinformation about vaccines and the Covid virus and just about everything else in the known universe in general.

Seemingly without prompting from Neil, his fans flooded Spotify's customer service in hordes and started unsubscribing. They hit the online customer service boards so hard it started crashing under the load. And the bad PR and unsubscribes drove down Spotify's stock.

Ouch.

https://arstechnica.com/tech-policy/2022/01/spotify-support-buckles-under-complaints-from-angry-neil-young-fans/


And that's no where near the end of the bad news for Spotify!

Joni Mitchell is pulling her catalog off Spotify in support of Neil Young! That, I'm sure, will cause another cascade of fans to walk.

Interestingly, Neil and Joni, both Canadians, are also both Polio survivors! Good reason to be pro-vaccine and come down very hard on vaccine and virus misinformation!

https://www.nbcnews.com/pop-culture/music/joni-mitchell-says-pulling-spotify-joining-neil-young-protest-rcna14048


So now Rogan has to make the apology tour circuit, or at least record a video, and make promises to "do better". He says he's a fan of Neil Young's music and doesn't want to see Neil leave Spotify. He says "he doesn’t “always get it right” on his podcast and promised to “do better” going forward". So the predictable BS. And Spotify lost $2,000,000,000 in market valuation last week. The article continues "Copping to the fact a lot of what he says on his hugely popular podcast is “not that prepared or fleshed out,” one-time self described “moron” Rogan also thanked his $100 million paymasters Spotify for “being so supportive during this time and I’m very sorry that this is happening to them.”.

Well, GEE. Considering two BILLION is greater than what they paid for him, I'm sure major stock holders and board members are seriously considering whether or not to just cut him loose and look for ways to void his contract.

Continuing the article: “If there’s anything that I’ve done that I could do better, it’s having more experts with differing opinions right after I have the controversial ones,” ... “I would most certainly be open to doing that. And I would like to talk to some people who have differing opinions on the podcasts in the future. I do all the scheduling myself and I don’t always get it right.”

And there's the problem in a nutshell. John Oliver had a wonderful demonstration as to that fallacy in, if I recall correctly, the first season of Last Week Tonight talking about climate change deniers bringing out "scientists" who don't believe climate change is real debating actual climate change scientists. It makes it look like it's a 50/50 split when it's far from it. So what Rogan is suggesting doesn't fix things, it spackles over the problem and makes it look like there's viable discussion to be had when the science is pretty clear-cut that Covid is indeed a virus to be taken serious, vaccines protect people and seriously reduce the illness if you get it, and fringe cures like ivermectin and hydroxychloroquin don't work. Oh, and you can't make the latter by boiling orange and grapefruit rind at home - apparently that's the latest fad. The drug is just a tad more chemically complicated.

Oliver had a fake news set set up where one scientist was debating another, then flooded the set with 98 more scientists debating the denier. Somehow I doubt Rogan is going to do something like that.

https://deadline.com/2022/01/joe-rogan-spotify-covid-controversy-neil-young-joni-mitchell-1234922830/


So fire up the popcorn popper!
thewayne: (Default)
Now this is an interesting use of AI.

Beethoven was commissioned for the 9th and 10th symphonies around 1817, and in 1824 we got the 9th, which is an amazing work. But he died before he completed the 10th, and all that exists of it are some sketches, some fragments of music that assuredly do not add up to a full symphony.

Until now.

A team was assembled of music historians, musicologists, computer scientists, and composers, with the goal of bringing this symphony to completion.

They trained an AI by taking phrases from previous symphonies and teaching it how that phrase grew into larger movements, then eventually the process matured and grew. When they were satisfied with the results, they fed the system the phrases from Beethoven's notes for the 10th.

The world premiere performance of the entire happened this last Saturday. I assume a CD will be available perhaps in time for the holiday season? If you search Amazon for Beethoven 10th, there is lots of material about the process that created this. There's one music CD, but I'm pretty sure it's not this material.

EDIT: There IS a CD of this, but it's poorly reviewed. And most of the reviews are in German, conveniently Amazon has a built-in translation service. It seems like the CD quality itself is not very good, so maybe a better performance and recording will be forthcoming as time passes. The trick is to search for Beethoven X, not Beethoven 10th.

https://smile.amazon.com/Beethoven-Orchestra-Kaftan-Walter-Werzowa/dp/B09CRM3HYD/

This is a 3:38 scherzo, and it's damn good. Posted September 10, just a month ago, and performed by the Beethoven Orchestra Bonn.


This is a 22 minute recording, posted October 9:


Very cool article:
https://thenextweb.com/news/computer-scientists-completed-beethoven-10th-symphony-syndication

And the Slashdot thread:
https://entertainment.slashdot.org/story/21/09/29/2345224/ai-completed-beethovens-unfinished-tenth-symphony#comments
thewayne: (Default)
The box set consists of: "David Bowie 5. Brilliant Adventure (1992 – 2001) will also include remastered editions of Black Tie White Noise, The Buddha of Suburbia, Outside, Earthling, and ‘hours…’ along with the live album BBC Radio Theatre, London, June 27th, 2000 and the odds and sods collection Re: Call 5. It arrives on November 26th as a seven-CD set, an 18-piece vinyl package, or a digital download."

Personally, I quite liked Black Tie White Noise. Earthlings, I thought was a little more so-so, but I haven't given it a listen-through in some time. I'm not familiar with Buddha, Outside, or Hours.

Toy was recorded in 2000 with EMI/Virgin, but never released. The label was in serious financial straits at the time, not coping well with file sharing and such, they're also suffered huge losses with the abject failure of Mariah Carey's movie, Glitter. The album was shelved, Bowie ended up leaving the label and founded his own, abandoning the album.

A poor quality bootleg of the album became available a few years ago, I don't follow that scene. I knew someone who was big into music bootlegs, but that was about four decades back. I don't even remember the dude's name now.

Well, now we get a chance to hear it come the holiday season! I've never before bought a multi-disc package like this, but for Bowie, I can do that.
thewayne: (Default)
So now I can easily embed! This was from Sunday afternoon.



Five of seven songs were Trans-Siberian Express, and four of those I converted the night before. :-) I had absolutely no idea what I was going to play up until about 18 hours before my performance! I didn't want to play just holiday music.

The show is only 30 minutes long, and I thought it went REALLY well. I felt a lot more comfortable doing this show, having seen my previous one at Winterfest. This one was performed on a server that's predominately French. Very nice people, they make amazing music there! There are several European servers, one is French, one is mainly English, and I think two or three are German.

I was invited to perform by two friends, one German, one American, who had an in-game wedding! No, they're not married in real life, I'm guessing they're just good friend in the game. But the weekend before last I attended an in-game wedding of two people where the groom traveled 2,000 miles to marry his fiance, only to be stymied by the plague. So they held an in-game wedding!

It was.... interesting. Not as much fun as the French/German one, which was massive and lasted some 10 hours including the reception. But it was still fun. That makes two weddings I've attended (played at one), and one in-game memorial service that I played at. That was an experience! I was glad to have helped out for them, they really appreciated it.
thewayne: (Default)
Five minutes of footage from over 56 hours worth that he's working with! It's not a trailer or a sneak peak, just a montage of cool stuff of the Fab Four working/clowning around in the studio and on the roof top of the famous Abbey Road performance.

Alan Parsons received his first engineering credit on Abbey Road, I wonder if he'll be visible in the footage?

He's in the final edit and about half-way through: since he's based in New Zealand, and NZ has dealt with the pandemic, he's back to work.



I have no evidence for this, but I'm guessing that he did a full restoration process on his footage like he did for his World War I documentary to bring it up to modern hi-def standards, so it should look and sound quite stunning when it releases in August '21.

Regardless, I'm quite looking forward to this and expect it'll end up in my collection.

https://www.rollingstone.com/music/music-news/peter-jackson-beatles-sneak-peek-1106383/
thewayne: (Default)
This guy was amazing! He was in a terrible fire and almost lost his left pinky and ring finger. They were all but unusable, so he played jazz guitar with two fingers! Just stunning what he was able to do!



Sadly, after surviving World War 2 in gypsy internment camps where so many died, he hadn't even reached his mid 40s when a stroke ended his life.

This is a very short documentary, in French with English subtitles.


The dude is definitely an inspiration to people with musical aspirations and physical limitations.
thewayne: (Default)
Wooties! Man, while Adam Lambert is not Freddie Mercury, damn that kid is good!

I so wish I'd gone to the effort of seeing them in Phoenix a couple of years ago.



https://www.rollingstone.com/music/music-news/watch-queen-adam-lambert-perform-i-was-born-to-love-you-japan-1066710/

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